WHY MEDIUM FORMAT ASTROPHOTOGRAPHY?



Buying a Mamiya M645 medium format camera may have been my best acquisition in astrophotography. The main advantage of medium format cameras is that the image is formed on a larger piece of film. The image area of the Mamiya M645 equals 56 x 41.5 mm, which is 2.7x larger than 35 mm. With 35-mm lenses, the light cone exiting a lens barely covers the film area and results in vignetting as can be seen in the image on the left. The edge defects of lenses are mostly off the film with medium format lenses and therefore have no influence on the final image. Moreover, the distance between the rear elements of a lens and the film plane is bigger in medium format cameras. This means that light rays exiting a medium format lens hit the film at less severe angles than with a 35-mm lens. Hence, medium format lenses generally produce sharper images.




Where a normal lens for a 35-mm camera has a focal length of 50 mm, a medium format camera uses an 80-mm focal length lens to equal the field of view of the naked eye. This means higher resolution photographing the same field of view. The larger the aperture of a lens, the higher the limiting magnitude. So at the same f-number, more stars will be recorded in the same time with a medium format lens. This results in richer star fields photographing the same area of the sky.

Not every telescope is suitable for medium format astrophotography. Indeed, a large number of telescopes produce a too small image circle. It is already difficult to create coma-free 35-mm images with fast Newtonians. Using a Newtonian reflector for medium format astrophotography would mean a large secondary mirror and a special designed coma corrector. The Takahashi Epsilon hyperbolic Newtonians are, as far as I know, the only examples on the market that nearly fit these requirements, although they still produce a too small image circle to fully illuminate the film area. So cancel the Newtonian and bring in the refractor. There are several apochromatic refractors that are specially designed for medium format astrophotography. Pentax and Takahashi offer a wide choice, but they are very expensive compared to other brands. In the 4" category both offer 4-element refractors corrected for 67 format: the 100 SDUF II and FSQ-106 respectively. The latter one uses two fluorite elements and probably has the best color correction. A while ago, Vixen also offered such a design, called the DED-108, but it went out of production.

In my quest for a not too expensive apochromatic refractor designed for medium format photography, I got interested in an other manufacturer from Japan that goes by the name BORG Oasis Studio. According to their catalog, BORG is derived from the Japanese words "Boenkyo" and "Dogu", meaning telescope and equipment. Hutech Astronomical Products is the worldwide distributor of BORG telescopes and parts. They offer a 4" apochromatic refractor that immediately took my attention. The 2-element ED-objective of this refractor has a focal length of 640 mm (f/6.4) and is placed on front of a 115-mm diameter tube. On the other end of the tube a helical focuser with an inner diameter of 89 mm makes it suitable for medium format astrophotography. Hutech also offers an 0.625x super reducer for this telescopes, turning it into a fast 400-mm (f/4) astrograph that produces an image circle of a whopping 110 mm. Making the whole package cheaper than either the Pentax or Takahashi scopes, my choice was easily made.



In the image above, I have rendered the fields of view that are within my reach with my current equipment. The picture itself equals the field of view of the Mamiya Sekor-C 80-mm f/2.8 lens and is, of course, made with this lens. The biggest yellow frame corresponds to the field of view of the Mamiya Sekor-C 210-mm f/4 lens. Going deeper with a focal length of 400 mm, equals the image area of the BORG 4" ED refractor operating at f/4, followed up by the 640 mm true focal length of this telescope without using the super reducer.

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